Afghanistan is a land of mystery, set at the crossroads of Indian, Persian and Turkic cultures, the cradle of the greatest mystical poets of the East. Of Pashtun origin, the rubab (or rabab, robab) with its unique sounds is an instrument of choice in this area to accompany Sufi poems and popular songs. It also illustrates itself in a solo repertoire from the court dance.
Its training is based on the traditional repertoire of Kabul and the basics of Hindustani music (râga, tâla, saregam), with particular attention paid to the rhythmic work of the right hand, whose technique is essential to make the "lion of instruments" sing. The transmission is oral and does not make use of scores: reading is secondary, listening fundamental.
Once a solid technical foundation has been acquired, it is possible to continue the practice by exploring the vast ocean of North Indian râga, drawing from the compositions for sarod of the gharana, tradition of Gwalior, as well as from the different Afghan styles and the various neighboring repertoires that appreciate the rubab (Baluchistan, Kashmir, Badakhshan).
"Today as every day, we are miserable. Close the way to vain thoughts, and play the rubab. As if a hundred times you had prostrated yourself, the beauty of the Beloved will be pleasing to you."
Jalaleddin Rumi Balkhi
Passionate about the traditional music of the Silk Roads, Mathieu Clavel is a disciple of the Afghan master Ustad Daud Khan Sadozai, heir of Ustad Mohammad Omar, the "Sultan of the Rubab", and of Ustad Amjad Ali Khan, one of the most eminent musicians of North India today.
With the "ejaza" (permission and blessing) of his master, he began to pass on the knowledge he had received in early 2021, thus continuing the chain of tradition. At the same time, he strives to contribute to the preservation of the Afghan musical heritage.
PLACE : Ateliers d'ethnomusicologie - 10, rue Montbrillant - 1201 Genève
TIMETABLE :
Les vendredis de 17h à 18h
FEES :
Individual lesson : 60.- CHF
CONTACT :
Email: clavel.mathieu@gmail.com
WORKSHOP
Frank Kane
The Republic of Georgia has a rich and varied tradition of polyphonic singing that is at least 1000 years old. The folk songs are an oral tradition and include genres such as work songs, wedding songs and healing songs.
Junko Ueda
To continue the study of Shomyo, Junko propose 3-4 times a year a worksho, for the medium students and an introduction for begginners.
Sinah Ni Nyoman Tordjman
By teaching the basic techniques and movements of these graceful dances, Sinah Tordjman opens up an incredibly rich cultural and artistic universe for discovery. She is a renowned artist who is passionate about the transmission of this unique patrimony.
Levon Chatikyan
This wind instrument of Armenian origin consists of a cylindrical body and a double reed. There are 8 finger holes on the duduk’s front and two thumbholes on its back. A piece of reed acts as sound and air regulator. The duduk is a simple instrument but one that produces a unique sound.